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following on from the assault of the senses that was cosmic surfin vol. 1, this occasional series returns with two more beardo gems fused with endless summer artwork. two cosmic classics here kicking off with the z.a.c.k.s mind bending mind the cosmic rocker, the highlight from the impossible to find disco cosmix lp. on the flip, another rare as hens teeth disco stomper from stratospheric band cosmic show. again taken from the impossible to track down lp splash... that has cosmic collectors forking out a pretty penny.

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massive french styled disco infected remix by dynamic rockers, flip for an electro approach by fred pellichero

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excellent funky 3 tracker by granite & phunk with cool filtered parts, nice vocal samples and a cool touch of disco sounds amust have

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inspired by the grotesque glamour of the créme de la créme, the opulent lives of hollywood wives and the hairstyles of the rich and famous, brooklyn-based duo ladycrème has been producing and dj ing in new york city for 5 years. ladycrème uses vintage production methods to combine their diverse influences, ranging from classic acid-house to italo-disco, with a modern electro sound that burns and bristles your scalp like hydrogen peroxide. this record has been mastered by the one of the all-time greats, herb powers. the man responsible for cutting a respectable share of classic prelude and west end pressings, as well as tons of other disco, house, funk and hip-hop classics over the years and cut by one of the hardest working techno dj/producers tim xavier

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three remixes of nerk & dirk leyers feat. khans >fear my fire<. firm - mastermind thomas schaeben turns it into a straight and funky tech-house tune, eric d clark transfers it into his very own disco - universe whereas the cheap ladies drag the beats out of mark boombastiks mouth and make it an a-capella.

lonelady meldet sich mit einem 6-minütigen funky dance-groover zurück. -groove it out- klingt wie eine fusion aus dem spät-70 er disco-punk-funk von esg und a guy called geralds hypnotischem ibiza-klassiker -voodoo ray-. mit leichter funkgitarre und erfrischenden (vocal-)passagen über einem einfachen machine-drumbeat. organik trifft elektronik, produziert von lonelady zusammen mit bill skibbe

joey negros tastemaking and scene defining disco-house label z records is proud to announce its next full-length release, namely a debut album from sean mccabe entitled *it s time*. it is an lp that bucks the modern trend and shows up many of its peers by being one that is made of wholly original material, sounds and ideas, rather than one that leans on tired and classic samples.

cosmic disco ensemble midnight magic find their way on to the ever adaptive soul clap imprint for their next release. -viscous love- is a 5 track ep which see the magic ones explore the more spaced out corners of the disco universe. the ep starts with the funked out, slap-bass heavy, night flight before weaving its way to the more slo-mo pitched down viscous love and pick up , the later showcasing some synth work that parliment would be proud of. trouble t and electic shock finish the ep with aplomb, electric shock being one of the stand outs of the release with its driving italo-disco bass line.

room service, a new brooklyn-based label, introduces itself to the world with a boisterous party-starter by quell, a grecian producer now residing in berlin. the four originals included here are no-nonsense, high-octane jams that vacillate between deep house and garageiwith touches of techno and disco thrown in for good measure and depth

born to trinidadian and finnish parents in sweden, jean-louis huhta took an early interest in percussion punk, african, disco, dub, detroit techno and chicago acid were all early sonic influences. couple these genres with an interest in percussion, drums, synthesizers and skateboarding and you are half-way into describing the sound of dungeon acid.

see how well it fits! the classic insidious groove. this is the sound of cocaine, people. the gay marvine interpretation takes the shape that another detroiter found on his political disco classic and allows the full song to reveal itself. a dance floor treasure.

*one hand in the air* bezieht sich beispielsweise auf *so appalled* von kanye west - manfred mann hat dessen original nun neu arrangiert. mit the prodigy und disco boys verfährt manfred mann genauso. zudem liest sich die gästeliste beeindruckend: till brönner spielt auf jedem zweiten stück trompete, kris kristofferson leiht einem stück seine stimme und kanye west ist natürlich auch zu vernehmen. zudem wagt sich manfred mann an neuinterpretationen von klassikern wie *light my fire* oder *we will rock you* - absichtlich stücke, die weltweit hinlänglich bekannt sind. manfred mann erklärt: *gerade weil jeder die stücke in- und auswendig kennt, habe ich in meinen interpretationen die optimale freiheit. wenn ich passagen weglasse oder neu arrangiere, denkt der hörer diese ja trotzdem mit*. neuinterpretationen - von bob dylan bis bruce springsteen - haben manfred manns gesamte karriere geprägt, *lone arranger* führt diese tradition somit fort. und keine frage: das album bleibt bei aller konzeption typisch manfred mann, nicht zuletzt weil die spielfreude am keyboard vernehmbar ist.

happy meals is the glasgow-based duo of suzanne rodden and lewis cook, life-partners since high school finding expression in cosmic form.

tief006 comes from londons mr beatnick, his first full release since 2013 s cosmic compilation the synthetes trilogy on dont be afraid records. a regular on nts radio, beatnick takes in blissed out disco house, crackling synth-boogie-funk and dreamy acid textures over 3 beautiful and atmospheric originals. this one also comes with a remix from francis inferno orchestra, whose album a new way of living on voyeur rhythm has been recently making waves. out on vinyl and digital in november. dj support: axel boman, funkineven, leon vynehall, braiden, nd baumecker, midland, bicep, session victim, quarion, benji b, galcher lustwerk

the amen brother disco band step aside for vol. 3 for this 4 track ep of low slung house and psychedelic stoner disco. a man with a similar vision for finding those leftfield dancefloor oddities, he is constantly searching for psyche fused gems and regularly surfaces with a sound that is unique to him and always stand out fresh. sergio is associated with the site prejke.se and runs his own blog diskoakademin, both being a source for his music discovery and crate digging. check it out. big support from psychemagik.

cowboy rhythmbox are nathan gregory wilkins and richard x, latest signings to phantasy. coming together to create their own singular strain of music for dancing, they draw on a collective love of outsider house, bargain bin cut-outs, hard drive debris, rudimentary jack trax, obscure tv themes, euro disco, ebm, detroit techno, the smith & wesson model 3 and horses. we got the box brings to life the playground game of repeat-a-word-until-it-sounds-weird, pushing and pulling a disembodied voice by milliseconds to create a hypnotic mind episode. on the flip rattle takes off where their debut track shake left off, a devastating barrage of industrial drums and frenetic chants. the vinyl ep comes with download code.

from the copenhagen underground comes a new raw house label. both known and up and coming talents contribute with anonymous releases on a series of two trackers exclusively on vinyl. for the first release we have a rare filter house workout with a disco sample filtered to perfection to give you that hypnotic feel when everything melts apart and comes together again in that breakdown. for the b-side we have another classic house exercise, one of those chop chop rollers that just keeps the floor going with its eternal bassline and an organ riff sampled and resampled into obscurity.

waiting for heaven is one of the cult releases by discomagic in early time of italo disco.waiting for heaven is one of the cult releases by discomagic in early time of italo disco. written and produced by ricky persi and stefano previsti, vocals by australian singer david sion. three decades later italian records proudly presents david an ricky together again with the dutch duo shambok and their updated versions of this fantastic song. a real floorfiller for all italo disco lovers.

in the lead up to his debut solo album the ten thousand yen label boss returns home with four essential cuts, with two vocal features from la s seven davis jr. the ep is led by what s it gonna be? which is already picking up early love in the clubs and on radio by the likes of annie mac & skream. from the disco-charged drive of together to house/acid/techno morph ghost text to the r&b lean of i promise , the from mine to mistress ep is a diverse collection of tunes that really show off daneeka s varied production style.

black 140g double vinyl pressing with full colour sleeve. limited edition of 300. includes download code.
all nervous energy, ill-defined brilliance, detached emotion, and subdued minimalism, man is deaf is the debut album from london based electronic musician brassica. sophisticated and distinctive it distills michael anthony wrights storied musical past, capturing new wave, psych, synth music, avant garde electronics, house, and italo disco, without sounding consigned to any part of it.

reissue of a 1986 italo-disco classic.
accept no imitations, this is a genuine reissue from the label who gave us this now-legendary italo maxi-single back in 1986. often discussed in hushed tones among italo and disco enthusiasts mirko galli s most successful release tapped into the british songwriting/pop dynamics with both tracks while retaining full focus on the dancefloor with heavily synthetic grooves that refuse to quit. -when i let you down- is a visage-style love story blessed with intricate melodic layers and big catchy vocals. meanwhile -boogie tonight- is all about the metallic arpeggio, a nagging hook and future-minded arrangement twists that foretold the drama of house music before it even happened. a serious document, this.

some low down, dirty cosmic boogie-funk here from 1977 on salsoul records. destroyers were a one off project from nyc whose back catalog includes only these 2 super rare and sublime examples of down-tempo space disco. both cuts are the perfect late night soundtrack to getting down in the darkest corners of the club, perfectly produced, super funky and with solid relentless grooves that go on and on.

originally released in 1978, luv you madly orchestra s 12- taken from their first (and only) lp features the prodigious mixing talents of the iconic disco alchemist walter gibbons whose deconstructive style has left an indelible mark on contemporary dance music right up to the present day. elements of dub and experimentation had always been ingredients in gibbons formula when it came to dj-ing, mixing and re-mixing records throughout his career and -rocket rock / moon maiden- is evidence of this.

from the sun kissed shores of brazil and the wonderful starlit nights of the mareh festival comes a new label, mareh music. mareh festival was started by a small group of friends whos only aim was to escape the big city, take an amazing sound system to a remote and beautiful part of the country, and then party together with friends and great music. it has grown since into a week long annual event featuring international djs playing alongside talented residents, and still has the same commitment to real quality and fun. mareh music is born from the soundtrack to those parties, and is launched to mark the festivals tenth birthday. so you can expect to hear beach bar boogie, disco-tinged dance floor movers and deep electronic groovers.

*out of town* fuses a wide variety of sounds and styles. the result is a beautiful, otherworldly album that moves effortlessly between blissful flamenco, shimmering, slo-mo nu disco, dubbed-out tango and haunting, ethereal soundscapes. first released back in 2010, *out of town* was the product of phil misons much loved cantoma project that was only available on cd and download at the time. now the classic album gets the vinyl release it deserves with hand numbered gatefold sleeve. limited to 500 copies.

nils penner liefert einige lebendige, disco-ish deep house-tracks. der space ranger remix ist ein subtiler jackin floorfiller und paskal & urban absolutes beweisen erneut ihre feinen produktionskünste mit ihrer deep groovenden bearbeutung des originals

mit museum of love reiht das geschmackssichere label dfa einen weiteren release in den reigen für 2014 ein. am 10.10. erscheint das gleichnamige debütalbum des duos, bestehend aus pat mahoney, seines zeichens gründungsmitglied von lcd soundsystem und dennis mcnanny aka jee day. zusammen bilden sie museum of love, eine direkte anspielung auf daniel johnstons song, verrät mahoney: *i had always loved the song, and had been thinking of what such an edifice would contain when we were trying to name the project*, und mcnanny weiter *pat is a sculptor, i am a painter, we make music and museums are sacred spaces and love is an elusive thing.* die produktion, instrumentierung und das songwriting lag im aufgabenbereich von mcnanny, während sich mahoney um den gesang und um die drums kümmerte. ein detailreiches disco-house album, das sich perfekt in das sound-regal von dfa einreiht. die vinyl-lp erscheint im klappcover, download-code inklusive.

limited 300 copies on standard black vinyl.
original recording 1984 released by jumbo records. epic vocals and ultragroovy synthlines made this release one of the italo disco must-have records!

brill 90s inspired chicago - disco phunker

limited pressing on transparent vinyl.
original recording of 1982 released by moon records association –, cat.# mra1002 / mra 1003 blackway s own interpretation of italo disco, dark and catchy. another gem.

taken and inspired from metronomys third critically acclaimed and mercury nominated album the english riviera, an unashamed pop album, a gorgeous record full of languid, sunset funk songs ending up in the top 5s of many end of 2011 lists, and notably number 2 in nmes albums of the year. the remixes of loving arm and we broke free offer a refreshing, alternate spin on the tracks intended for specialist djs pressed as a white label. remixers are by prins thomas famed for his space disco as lindstrom & prins thomas and soon to be massive gerry read.

tom findlay (groove armada) und late night tales beweisen wieder einmal geschmack und stilsicherheit. auf spätsiebziger yacht-pop folgt supercooler 80s groove, der sound der post-disco-Ära, als der soul/r&b das synthesizer-zeitalter enterte. wir hören begnadete jimmy jam/terry lewis-produktionen für thelma houston und alexander o neal, wir hören sharon brown in einer produktion der disco-legende tee scott, wir hören die Übergroover mtume und zapp, wir hören die smashhits von donna allen, rene & angela und des timex social clubs, und als exklusives cover hören wir eine superbe version von sugardaddy (tom findlay & tim hutton) des hitklassikers *dont look any further*.
die 3x12 inch lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen.

groove line records autumn series of properly licensed rare disco / funk reissues continues with two superb slices of dance floor soul from the little known candy bowman >i wanna feel your love and since i found you (love is better than ever).<

slamming dimitri from paris disco mixes

massive two tracker from jonny miller on his 2nd edits release on kat.what you did is quite simply a whopper! disco music as god intended it - arms aloft, eyes shut, inhibitions nowhere to be seen, smiles bigger than life itself. what we have here is not an edit as such but a reworking of chaka khans what you did, subtly housed up, re-arranged, chopped, fil-tered and re-mastered within an inch of its life - chaka herself pretty much always sounds in-credible but here the vocal just seems to stand even taller than usual. on the other side we have something in which some of our slightly older party folk may well recognise. dionnes house classic from 88 gets the full edit treatment and the timing on this just seems so right. originally released on the ace bigshot label out of canada (and was just huge in the hacienda), re-mastered, stretched out, re-arranged and making the most out of all those old school stabs, ploddy bass lines and timeless vocals.

ltd nice price .. last copies left
house mix set incl mixes by justus köhncke, eric d. clark, dj maringo and the inevitable dj divinit

new wave / disco classic from 1980 by john marieux aka codek.

here comes a new project on philpot records, bringing together two of the most consistent german producers of the last decade: soulphiction and move d are pairing up to bring you some deeply rooted, funkafied house music on this one! >the limelight< is a subtle, shiny piece of neo-disco for the believers, rolling along with funky licks and a demanding bass, a sureshot for the music lovers! manchesters trus me takes it up and delivers a fantastic remix, adding his trademark sonics as well as a new bassline, played by tom >boom boom< johnstone. the third track >the essence< is a nod toward a great jazz label and a blueprint for further things to come by soulphiction & move d! shake it!

limited 300 copies on standard black vinyl / picture cover / limited supplies
original recording of 1982 released by moon records association –, cat.# mra1002 / mra 1003 blackway s own interpretation of italo disco, dark and catchy. another gem.

initially listed as hm1001 now released on archivio fonografico moderno official 2014 re-issue from 1983 ! limited 300 copies on standard black vinyl / picture cover / limited supplies / 1stcopies on red vinyl melancholic and ultrafunky synthlines together with an ultrafat bass and unique vocals for one of the most significant record of the golden age of italo disco ! don t miss it !

official 2014 re-issue of hm 1002 released in 1983 limited 100 copies on red vinyl limited 300 copies on standard black vinyl / picture cover / limited supplies / this record comes from the peak era of italo-disco. this release is pure quality, genius, so simple yet so brilliant. from the guys who brought the amazingly beautiful -stop / livin up- release under bwh. this record is equally amazing, with a spectacular drumbeat and very nicely layered synth, parallel to -stop- in brilliance and sequence, but a bit simpler and slightly shorter. its a shame that this track is only 4:30 long and that the duo released only a handful of italo-disco gems altogether under the aliases of bwh, blackway and mr master.

official 2014 re-issue of hm 1002 released in 1983 limited 100 copies on red vinyl limited 300 copies on standard black vinyl / picture cover / limited supplies / 1st copies on red vinyl this record comes from the peak era of italo-disco. this release is pure quality, genius, so simple yet so brilliant. from the guys who brought the amazingly beautiful -stop / livin up- release under bwh. this record is equally amazing, with a spectacular drumbeat and very nicely layered synth, parallel to -stop- in brilliance and sequence, but a bit simpler and slightly shorter. its a shame that this track is only 4:30 long and that the duo released only a handful of italo-disco gems altogether under the aliases of bwh, blackway and mr master.

limited 300 copies / full picture sleeve /! we all know fred ventura, and it’,s nice to see that he is coming back again with a new track, co-written and co-produced with phil r., who along with having been a respected deep house and electronic music producer for years, is now wellknown for owning the only italian factory of vinyl records: phonopress. the track is a classic italo disco anthem, and there is an alternative, more “,italo-funky-disco”, version in the b-side. the sound and the track’,s structure overall are the typical ones from the mid 80’,s. this record is a must-have for all italo-disco lovers, oldtimers, fred ventura’,s fans and collectors. the finishing is high-end, with a cover coated with opaque uv, black innersleeves, and shrinkwrapping. the limited, multicolored splatter 180g edition manufactured with manual presses comes with a special sticker in the upper-left corner

tanzlife & kammerton drop *those family affairs* ep on silence in metropolis this september, with martin aquino and sam haas remixes in tow. the washing dc-based imprint silence in metropolis returns this summer with a dynamic four-track offering from tanzlife & kammerton. despite its relatively fresh start the label welcomes the pair to an ever-burgeoning roster to sit beside names such as funkdamentalist, dale howard and more recently jmf following his popular *point to yourself* ep that dropped back in may.
early support from: dj sneak, doc martin, stacey pullen, french express, dirty channels, claudio coccoluto, kellerkind, andrew grant, jorge savoretti, kirby, diskjokke, zombie disco squad, nils noa, julian sandre, manooz, brother s vibe, javier carballo, ricardo miranda + more.

colors, the east-london party collective has been on a roll as of late, with a spate of successful events that have taken them across europe to berlin, istanbul and barcelona to name a few countries. as the name suggests, each event draws inspiration from the colour spectrum, with guests encouraged to dress up in a different chosen shade each night to get down to a soundtrack influenced by deep house, funk, disco and techno.

despite being an obsessive record collector for most his life, a globetrotting dj who s toured the world dozens of times over, a go-to remixer for numerous labels, both high profile and fledgling (dfa, mute, permanent vacation, warp, defected), co-owner of several imprints, lph itself being one of them, and producer behind a handful of house and disco tunes that started trickling out in the mid-aughts, jacques renault has managed to never release a true, honest to god ep comprised of originals. that s about to change with out of sync, a four- tracker that exemplifies all renault is, has been, and aspires to become —and that serves as a lead-up to his debut full-length, which will hit shelves next year

after months of musical celibacy, lesale returns to luvshack with his -in command ep- - featuring a set of disco drenched original tracks and a remix by new york native jacques renault!

back by public demand
debut album from manchesters latest production prodigy trusme. this 8 track set features tracks from the hard to find love4music black label 12inches that shot trusme to notoriety in early 2007, garnering massive support from the likes of gilles peterson, karizma, carl craig, benji b, mad mats, jazzanova and many many more… five previously unreleased gems sit alongside firm favourites such as w.a.r., at the disco and a new version of the house behemoth nards, entitled narda. five new tracks cover many styles from soulful disco to afro beat to twisted funk.

fantastic four track album sampler from jay haze & esb’s forthcoming ‘finding oriya’ album released this november on leftroom. philadelphia-born producer jay haze has carved out quite the career for himself over the past decade, having headed up the successful tuning spork and contexterrior imprints, as well as operating under his fuckpony pseudonym which has seen him unveil material for the likes of get physical, cocoon and bpitch. here we see haze pair up with esb (electric sound broadcast) aka elan benaroch, notably known for his work with canada’s deepen sound, to deliver a long player for the leftroom label. finding oriya is the musical culmination of the journey towards fatherhood for haze, here we see haze & elan explore a variety or ethereal, mind-bending and profound textures to create an intelligent, understated and charming collection. from the electronic beauty of finding oriya, the dropped-tempo nu-disco tinged feel of founded in you, through to the entrancing feel of friday always remembers, ands the mid-tempo magic of cant keep giving in, this eclectic four track sampler is a great introduction to the eagerly anticipated album.